“I Had No Expectations of Sweden”: Danny Robins in Conversation


DANNY ROBINS’ sitcom, The Cold Swedish Winter, broadcast on BBC Radio 4, was inspired by his time living in Sweden. I talked to him about the adaptation of his experiences to radio, and the challenges of being a comedian abroad…

Why were you inspired to start this project?

In 2005 I was performing a comedy gig when my eyes met those of a girl in the audience. I can say without overstatement that it was love at first sight. When we spoke later in the bar I couldn’t place her accent, but it turned out to be Swedish. The rest, as they say, is history, and we are now married, with two Anglo-Swedish children. As time went by and we spent more and more time in Eva’s home country, I found myself becoming fascinated with Sweden, a country simultaneously similar yet very different to Britain. This coincided with a growing interest with Scandinavia in the UK, which gave me the confidence that if I was to put some of the things I’d started noticing and wondering about Sweden into the form of a sitcom, other Brits might be interested too.

What did you expect Sweden to be like and were your expectations confirmed?

I really had no expectations. In fact, I don’t think I’d ever thought of Sweden before. I was vaguely aware that ABBA and IKEA were Swedish, but that was about it. I think that’s one of the things Swedes obsess about: “What do people think of Sweden?” There’s a concern amongst a lot of Swedes that people consider them boring but I think, in the UK at least, people just didn’t think of Sweden much at all until recently. Sweden has pushed itself into our cultural consciousness via fashion and retail, the success of ‘Nordic noir’ and, most recently, Sweden’s approach to the refugee crisis. But I still think most Brits know very little about what Sweden or Swedes are actually like.

Being such a homogeneous nation, do you think Swedes are welcoming to other cultures (including your own)?

Yes. I think it’s a hugely welcoming and tolerant country and while I think the Swedish government’s decision to start sending some refugees back to their (often still dangerous) countries as a kneejerk response to the rising far-right is misguided, I still think the response of most Swedes to asylum seekers has put my own country to shame. I’ve seen first-hand how refugees in Sweden are treated, as my parents-in-law work closely with young parent-less asylum seekers and I wrote an episode of The Cold Swedish Winter about it. As for how they treat us Brits, with a degree of bemusement now I think, since we have been in the throes of Brexit, but I think Swedes are definitely anglophiles and I know a lot of Swedes who love British humour.

In the first episode of The Cold Swedish Winter you talk a lot about silence. How disconcerting was it to begin with and have you grown used to it over time?

It’s still disconcerting. I find the Swedes’ refusal to make unnecessary small talk and their preference to sit in silence rather than fill gaps in conversation impressive, yet confusing. Have I offended them or are they silently agreeing? It’s hard to tell. I think it’s a result of Sweden being such a huge country with few people. There’s not that same pressure to get on with your neighbours, and you can easily keep yourself to yourself.

The Swedish concept of lagom is becoming increasingly popular in the UK. Why do you think Brits are so attracted to it, and are there other Swedish concepts that could make it over here?

I think most non-Swedes fundamentally misunderstand lagom. After the success of marketing the Danish hygge as a sort of lifestyle manifesto, lagom was pushed as some form of decluttering, minimalist philosophy. I believe lagom is really about fairness, a principle central to the Swedish psyche and enshrined in Swedish social policy and law, that people should take only what they need and that this should be available for all. It’s a concept I connect with. I have always admired and envied the fairness at the heart of Swedish society.


Recording The Cold Swedish Winter on location, with Danny looking on. Some of the cast play themselves, others are chosen by Danny to portray his characters.

Scandinavians live according to the strict demands of Jantelagen. Did you find these laws constricting or helpful as a foreigner hoping to assimilate?

Jantelagen is something that most younger Swedes would perhaps play down now; a set of rules for behaviour that have passed their sell by date, but I am always struck by how much that mindset persists sub-consciously. Swedes don’t like displays of over-confidence. I know American friends who have found this extremely hard to deal with, at job interviews for example, where they’ve gone in to sell themselves and fallen flat as the Swedish interviewer found them too ‘pushy’. I think that still hanging on to Jantelagen can breed a celebration of mediocrity, but then it’s hard to argue with the achievements of Swedes on the world stage, so clearly it’s not holding them back.

Sweden consistently ranks among the top nations ten for happiness and freedom. Why do you think this is, particularly as we know they produce such dark works of literature, film and television?

Quite simply, life is good in Sweden. Whatever changes have gone on there, and clearly Swedish society has changed massively, there’s still an impressive degree of social cohesion and collectivism. I see this as one of the major differences between Sweden and the UK which, now more than ever, seems sadly driven by a very short-termist selfish individualistic mindset. I think if you are living well and you are not in conflict with those above, below and around you, the chances are you’re going to be happy. That’s not to say Sweden is the paradise it once made itself out to be – there are plenty of things for Swedes to complain about – but I think if they put their complaints into context, they must acknowledge that they’re lucky to live in a country that many other countries look to for inspiration.

As a British comedian, do you think Swedish comedians approach humour differently?

I find Swedish comedians more serious than British ones. I think Swedes in general think more deeply about life, politics and society, and this translates itself into comedy. British people, and definitely British comedians, are much more iconoclastic; nothing is sacred. I think Swedes are more respectful and trusting of their institutions so their satire is less savage.

What do you like/dislike most about life in Sweden?

I like that people are kind. Kinder than in Britain, I’m afraid to say. And I also love the landscape; the huge expanses of forest, the seemingly endless lakes and the easy access people have to this landscape manifesting itself in an enduring relationship with nature that we Brits have largely lost. But I dislike a certain prudish mindset that hovers over Swedish society. As far as I have been able to ascertain, there is no adequate way to say “I’m excited”, and I think that says something. Sometimes I wish Swedes would step forward from the group, let their hair down and dance like nobody is watching. I love Sweden, but for now, at least, I will continue to live in the UK, even with all its problems. What happens with Brexit, though, will put that to the test…

The Cold Swedish Winter is available now on BBC Sounds.

This article has also been published in Scan Magazine.

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